Hei (Li Shenshung) (
mortemscintilla) wrote in
poly_chromatic2012-11-07 04:11 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
♦ ♦ 13th Contract
[ The weekend has come and gone. ]
[ Familiar faces have come and gone with it, leaving him feeling like an animal who's been taunted through the bars of a cage. Ugly memories, dormant for so long he expected to be free of them, emerge now as if risen from the dead. Horrors worse than what lurk in a crate of vodka have his head pounding -- tick tick tick like the City Clock. Like a time-bomb. Sometimes he sees Amber, free-floating, whispering riddles in his ears. Sometimes it's Yin, watching him with blank eyes and a sad not-smile. Pai is almost always closeby: never quite visible, calling out to him from behind a spray of blood. ]
[ Barely able to distinguish sleep from wakefulness, he isn't sure which is worse. The City feels twice as surreal after the atmosphere of the weekend, the atmosphere of his mind. ]
[ Fortunately there are ample distractions. ]
[Audio]
So this place has taken its 'prison' aspects a step further.
...Is this a practical joke?
[ Options For Run-Ins: ]
[ Shed: Pent-up energy and a mind for solitude have him trekking through the woods. He's in no mood for the chatter and music of smoky bars. He can't muster that effort to be On tonight -- to handle human faces and prying questions. Worse, the City's full of pests and spies. He'd rather not be out in public, where he could be recognized. The outdoors are a better bet, particularly so late at night. Holed up in an unheated shed, a flask of something foul in his coat pocket, he can lull himself into imperfect numbness. ]
[ If he doesn't freeze to death, locked and stranded, first. ]
[ Houseguest: The moon is pale in the sky. Masked and armed, Hei slinks through rooftops in the early-night darkness. Passing like a shadow past signboards and sloping tiles -- graceful, nearly weightless. He's alert, keeping track of everything. But his mind is fixed on Pai, on Amber and Yin and all the possibilities wasted. The thought-pattern is irrational. A time-waster. Dropping into an empty flat, he tries to snap out of it. It's chilly in here. He doesn't bother switching on the lights. Changing into civilian clothes in the bathroom, he splashes cold water on his face and resolves to head home. ]
[ Until he realizes he's stuck in. ]
[ What now? ]
[OOC: open to action and network replies. I'm cool with assuming he was stuck with more than one person during this curse. On that note, those he's trapped with are welcome to threadjack any network responses! Hei's in a tetchy mood after 4th Wall, so GIVE HIM HELL<3 ]
[ Familiar faces have come and gone with it, leaving him feeling like an animal who's been taunted through the bars of a cage. Ugly memories, dormant for so long he expected to be free of them, emerge now as if risen from the dead. Horrors worse than what lurk in a crate of vodka have his head pounding -- tick tick tick like the City Clock. Like a time-bomb. Sometimes he sees Amber, free-floating, whispering riddles in his ears. Sometimes it's Yin, watching him with blank eyes and a sad not-smile. Pai is almost always closeby: never quite visible, calling out to him from behind a spray of blood. ]
[ Barely able to distinguish sleep from wakefulness, he isn't sure which is worse. The City feels twice as surreal after the atmosphere of the weekend, the atmosphere of his mind. ]
[ Fortunately there are ample distractions. ]
[Audio]
...Is this a practical joke?
[ Options For Run-Ins: ]
[ Shed: Pent-up energy and a mind for solitude have him trekking through the woods. He's in no mood for the chatter and music of smoky bars. He can't muster that effort to be On tonight -- to handle human faces and prying questions. Worse, the City's full of pests and spies. He'd rather not be out in public, where he could be recognized. The outdoors are a better bet, particularly so late at night. Holed up in an unheated shed, a flask of something foul in his coat pocket, he can lull himself into imperfect numbness. ]
[ If he doesn't freeze to death, locked and stranded, first. ]
[ Houseguest: The moon is pale in the sky. Masked and armed, Hei slinks through rooftops in the early-night darkness. Passing like a shadow past signboards and sloping tiles -- graceful, nearly weightless. He's alert, keeping track of everything. But his mind is fixed on Pai, on Amber and Yin and all the possibilities wasted. The thought-pattern is irrational. A time-waster. Dropping into an empty flat, he tries to snap out of it. It's chilly in here. He doesn't bother switching on the lights. Changing into civilian clothes in the bathroom, he splashes cold water on his face and resolves to head home. ]
[ Until he realizes he's stuck in. ]
[ What now? ]
[OOC: open to action and network replies. I'm cool with assuming he was stuck with more than one person during this curse. On that note, those he's trapped with are welcome to threadjack any network responses! Hei's in a tetchy mood after 4th Wall, so GIVE HIM HELL<3 ]
action; shed
She knows Li's dangerous, and that he uses violence to solve his problems even more often than she does (which is saying something). But she also knows he won't hurt her without a reason.]
Why not?
[The teasing tone cuts off as he takes her hand. Even through the gloves, the warmth almost burns her. There's no breath to catch in her throat, but she still finds herself unable to speak.
It's weird the things you feel, even after you're dead and shouldn't be able to feel anything. Confusion. Hesitation. Shyness. Wistfulness. A strange sort of longing. Her feelings have always been so simple (which did not make them easy to deal with). Nothing as complex and mixed as this.]
action; shed
[ He moves nearer to her. This close, he radiates a tightly-wound energy. He thinks he feels her pulse vibrating between them, but of course that's just his own. A free hand tips her chin up. It'd be easy to stop this. Just one cold word, one sarcastic jibe, and the tension will re-coalesce into another fight. That's her call, though. ]
Because it'll get you in trouble.
[ The double-meaning couldn't be clearer. ]
action; shed
Korra doesn't know what to do. She's never been in a situation where she's had time to think about these things. All her other kisses have been impulsive (and/or curse related). There was no tense expectation, no air thick enough to cut with a blade.
She thinks about Mako, and realizes with surprise that this is the first time she's thought about him all evening, when generally he's never far from her thoughts. The realization hurts, like she's betrayed him somehow, but there's hope in it too.
Maybe she doesn't have to be in love with him. Maybe she can recapture those two weeks where the sight of him and Asami together didn't cut her up on the inside. Maybe she really can move on.
If she thought about it any more, she would panic. So she tossed all thoughts aside and bridged the distance between them, pressing her lips against his in a shy kiss.]
action; shed
[ He stops trying. ]
[ He dips his head and skims her lips with his, once, twice, again, testing the difference in heat and chill. His mouth is hot, with a strange energy to it, almost like licking a 9-volt battery. His tongue slips into her mouth. It's not really his thing -- kissing. It's too intimate, too emotional. But there's a funny thing about kisses. They seem so natural and easy once you're into them, you wonder how they were ever something to be refused. ]
action; shed
Everything's awkward and strange and electric. She's painfully aware of how inexperienced she is, and the idea of breaking away and hiding under a rock for the rest of her life is tempting except for the part that involves breaking away. Every time he pulls back, a little whimper escapes her throat and her fingers clutch at his shirt as though to keep him from leaving.]
action; shed
[ It's easy to let his hand spread across her back, to slide it up and down, before bringing her hard against him. Her hair is soft and cool on his other hand as he cradles the back of her head, supporting her against his force. There've been so many women since Amber -- marks, quick flings, furtive encounters in hotel rooms, back-alleys of bars and clubs. Nothing serious. This is different. The tension, anticipation, it's familiar and strange at the same time. ]
[ His jaw coaxes her lips open to suck hot and slow on her tongue. An exploration and a question in itself. More? ]
action; shed
She chokes back a giggle when he starts sucking on her tongue -- it tickles! -- but at the same time her hands are pulling up his shirt, craving the heat of his skin. An ache builds up below her belly and she instinctively rocks her hips against him.
She's not literate enough to understand Hei's unspoken question, or to understand what her body is saying in response. She's operating purely on instinct and an intense desire not to think.]
action; shed
[ Her every response reads: Yes. Okay. But you don't just barge in without preliminaries and such first. He tightens his hold on her, palm splaying to feel the shape of her, marveling at the architectural curve of her ribcage to her waist and hips. Not a caress so much as a weapon-sweep. It's reflex. He doesn't go anywhere without concealed blades or frags. The priorities are nothing to laugh at. And since she's so close anyway, he might as well test the temperature differential properly. Both gloved hands slip under her shirt, splaying second-hand across skin, warm on cool, before bunching the fabric higher. ]
[ He fully plans to pull it off if she lets him. ]
action; shed
How far is she going to let this go?
She remembers the talk her White Lotus masters had with her after she developed breasts. They had impressed upon her the seriousness of sex, how it was not a decision to be taken lightly, and how badly it could interfere with her duties as the Avatar. They had made it sound terrifying. Her mother had laughed and told her not to be afraid, that with her husband it would be something joyous and fun.
Master Katara, who had travelled all over the world since she was 14, slipped her a bundle of herbs. "You'll find many people have different ideas about what a woman should do with her body," she'd said. "But in the end, it's your choice. You have to do what feels right to you."
It had sounded so profound at the time, but now, in the heat of the moment, she realizes what a difficult thing this is. A part of her wants to slow things down. Another part of her is appalled at how far things have gotten already. Yet another part is afraid of being left with her own thoughts, and the awkwardness that would ensue if she stopped things and they ended up still being trapped here. And the physical part of her ached for his touch. How can she do what feels right when all the parts of her were in disagreement?
Her body shivers as his hands brush against her skin. Desire and a fear of awkward silences won out over what could be considered her better judgement.
Permission granted.]
action; shed
[ Just how inexperienced is she? His conscience, inchoate, forms a question-mark. A rarity among Contractors, who reputedly have no morals at all. But what he feels isn't moral nausea. Age-grading is what helps to keep children childish -- and what reputedly creates clean-living adults. But Hei's childhood wasn't regulated in a series of developmental stages. It was fast, high-stepping -- then it was over. Or more fittingly it never existed. He was never assumed to have needs distinct from an adult. Nor was he shielded from any aspects of sex and brutality. Indeed, he grew up in the thick of it. On the basis of Want, Take, Have. ]
[ When she doesn't resist, he reads it as consent. ]
[ He kisses her again, a seal of lips, a taste of tongue, hands clutching at the material of her shirt. Breaks the kiss only as the material whooshes over her head, static crackling, before catching her mouth again. The shirt is forgotten on the floor next to them as his hands resettle on her ribs. Sliding up to cover her breasts, kneading and massaging before he works his way under wire and fabric to do it properly. Not gentle -- that's the wrong word for it. But ...careful. ]
action; shed
He touches the bare skin of her breast, and she makes a sound that's half squeak, half moan, embarrassingly loud. It feels so different from the way she touches herself in the shower. The bra clasp digs painfully into her back, and she lets go of him to reach back and undo it. A tricky endeavor, even when she's not pressed against a wall making out with somebody.]
action; shed
[ When she lets go to tackle the bra-clasp, he obliges, knowing his gloved fingers wouldn't be much use on hooks-&-eyes. ( ...you should take them off). His mouth breaks from hers to gnaw at her jaw, her neck, tracking kisses that are going to bruise, by intent, his teeth and lips forceful. A portion of his brain notes the advantage he'd have if they were opponents, since her hands are occupied, reciting a hundred techniques to adminster a death-blow. ]
[ The rest tells that portion to shut the fuck up. Just enjoy this. ]
action; shed
His kisses hurt, but she's never been afraid of a little pain. Her hands now free, she wraps her arms around his neck, pulling him closer. Her fingers play with the hair on the nape of his neck and tug on the collar of his shirt. He has on way more clothing than she does.
She's hesitant still, inexperienced and shy, but she lets go of his neck and reaches down to start removing his shirt. Or at least indicate that she wants it gone.]
Re: action; shed
[ Unbuttoning his shirt, he shrugs it off. No bogus physical modesty. He's done this enough times, undressed before strangers whose names are irrelevant, only their messier codes and significance to the mission of any concern to him. In the dim light, silvery scars run here and there on his torso and upper arms, bright by contrast with the darker skin. Starburst-shaped ones she can't see are on the back, looking like they were made by something nasty. The final step: he discards the knife behind his belt, hurling it at the adjacent wall. It hits with a thwock, blade in place, vibrating with the force of it. ]
[ Closeby. Just in case. ]
action; shed
She doesn't ask where he got them; he wouldn't tell her, and even if he might, she's pretty sure it would take more than one story.
Her hand traces its way across his chest, and she looks up at him, waiting for her next cue.]
action; shed
[ This position is familiar -- a replication of dozens of knee-tremblers and half-clothed embraces in back alleys. But it's hardly comfortable. He mouths out words into the shell of her ear, the syllables slurred and low, ]
... we should find a better spot.
[ Maybe he can spread her coat on the floor and have her lie down. ]
action; shed
O-okay?
action; shed
[ As for the Network device -- it's kicked aside, landing facedown in the pile with his shirt and gloves. Glancing at her, he extends a hand. ]
[ Lie back. The material's quite toasty. ]
Re: action; shed
She'd never thought about how it could be used outside of a fight. She shrinks a little in embarrassment at how she had fussed earlier.
She hesitates before awkwardly lying down. ]
action; shed
[ He's rough, but not so much to cause legitimate pain -- she can always sock him in the jaw and tell him Don't. He knows the line between aggressive and coercive. ]
action; shed
Rough, it seems, is exactly how she likes it.]
action; shed
action; shed
action; shed
[ He raises his head, tracing her lips with his tongue before licking into her mouth. Still not partial to kisses. Yet the taste of her is becoming an addictive necessity. ]
action; shed
Re: action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
Re: action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed
action; shed