Korra (
anatural) wrote in
poly_chromatic2013-04-10 12:01 am
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二十四
[ option a ]
The air is frigid, but there's no wind to make it truly unbearable. Korra stands in the middle of her training arena in the South Pole, facing Master Katara and her White Lotus teachers, who stand on a platform above her.
When she looks down, there's a knife in her hand, and Chekov sits with his back to her.
"Begin."
She brings the knife down, stabbing the young man in the back. Blood splatters on her hand, her torso, her face. She pulls the knife out and stabs him again. And again. And again. And again.
She can hear Master Katara turn to her White Lotus teachers. "You were right about her," the Avatar's wife says. "She is a failure."
[ option b ]
She's held on stage by two giant brutes, their hands gripping her arms hard enough to bruise. The stage lights burn her eyes; she can't see the crowd except as a faceless mass surrounding her on all sides. Her attention isn't on them, anyway. Her entire focus is on the other side of the stage, where the leader of the Equalists stands.
"I am not without compassion or justice," Amon says. "I will give the Avatar the chance to fight to keep her bending."
The guards holding her arms let go and Korra immediately unleashes a volley of fireballs. Amon charges at her and dodges each one, moving like a leaf in the wind. She tries to block him with a column of earth, but the stage is made of wood. She wipes the sweat from her brow and sends it flying as razor sharp icicles, but Amon is already gone -- behind her -- twisting her arm and forcing to her knees.
In a moment, with a simple touch to her forehead and a blinding flash of pain, it's over. Her bending is gone.
Korra slumps to the ground as the crowd roars in approval. She doesn't have the strength to resist when Amon kicks her, sending her off the stage with a brutal shove. What does it matter, anyway? Things can't get any worse.
The crowd parts, allowing four shadowy figures to approach.
"What use is an Avatar who could not save her friends?" she hears Amon ask the crowd as the ghouls of Asami, Mako, Bolin, and Tenzin advance on her. "What use is an Avatar who cannot even save herself?"
[ option c ]
Her limbs are twisted, contorted, wrong. The pain is agonizing, but not nearly as bad as the feeling that her body is not her own. Her very blood is bent to Tarrlok's will. With it, Tarrlok sends her floating down the stairs, down into an airless steel container. She screams, struggles, but she can't stop him from throwing her inside and closing the door.
"YOU WON'T GET AWAY WITH THIS, TARRLOK!" she screams, pounding on the door. "LET ME OUT!"
Except she's no longer seventeen, but seven. It's dark and she's scared and she doesn't know where her parents are. The door opens and she stumbles out.
The old man leers down at her, and the woman too, and other faces she knows from the Underground. She throws fireballs at them, and boulders, and jets of water, but the crowd just laughs and the circle around her grows smaller and smaller.
[ option d ]
When the nightmares become too much to bear, her past lives step in.
Aang offers her a memory of Tenzin's childhood -- a warm summer day on Air Temple Island. He, Katara, young Kya, Bumi, and little Tenzin are playing on the beach. He passes on a pure, easy joy.
Roku offers her a memory of a quiet moment in his garden -- no people around, only a warm cup of tea in his hands and the peaceful sounds of animals around him. He passes on a feeling of serenity.
Kyoshi offers her a memory of her lover -- a sweet-tempered woman who steadied the earth beneath her feet, who shared the burden of the decisions she had to make. She passes on the comfort of her love's embrace.
[OOC: Hit with Dream Vortex - take your pick! You can mix and mingle, have one dream transition into another if you so choose. A & B, characters can interact with Korra as she is now; in C, characters would interact with baby!Korra; and in option D, characters would interact with either Aang, Roku, or Kyoshi.]
The air is frigid, but there's no wind to make it truly unbearable. Korra stands in the middle of her training arena in the South Pole, facing Master Katara and her White Lotus teachers, who stand on a platform above her.
When she looks down, there's a knife in her hand, and Chekov sits with his back to her.
"Begin."
She brings the knife down, stabbing the young man in the back. Blood splatters on her hand, her torso, her face. She pulls the knife out and stabs him again. And again. And again. And again.
She can hear Master Katara turn to her White Lotus teachers. "You were right about her," the Avatar's wife says. "She is a failure."
[ option b ]
She's held on stage by two giant brutes, their hands gripping her arms hard enough to bruise. The stage lights burn her eyes; she can't see the crowd except as a faceless mass surrounding her on all sides. Her attention isn't on them, anyway. Her entire focus is on the other side of the stage, where the leader of the Equalists stands.
"I am not without compassion or justice," Amon says. "I will give the Avatar the chance to fight to keep her bending."
The guards holding her arms let go and Korra immediately unleashes a volley of fireballs. Amon charges at her and dodges each one, moving like a leaf in the wind. She tries to block him with a column of earth, but the stage is made of wood. She wipes the sweat from her brow and sends it flying as razor sharp icicles, but Amon is already gone -- behind her -- twisting her arm and forcing to her knees.
In a moment, with a simple touch to her forehead and a blinding flash of pain, it's over. Her bending is gone.
Korra slumps to the ground as the crowd roars in approval. She doesn't have the strength to resist when Amon kicks her, sending her off the stage with a brutal shove. What does it matter, anyway? Things can't get any worse.
The crowd parts, allowing four shadowy figures to approach.
"What use is an Avatar who could not save her friends?" she hears Amon ask the crowd as the ghouls of Asami, Mako, Bolin, and Tenzin advance on her. "What use is an Avatar who cannot even save herself?"
[ option c ]
Her limbs are twisted, contorted, wrong. The pain is agonizing, but not nearly as bad as the feeling that her body is not her own. Her very blood is bent to Tarrlok's will. With it, Tarrlok sends her floating down the stairs, down into an airless steel container. She screams, struggles, but she can't stop him from throwing her inside and closing the door.
"YOU WON'T GET AWAY WITH THIS, TARRLOK!" she screams, pounding on the door. "LET ME OUT!"
Except she's no longer seventeen, but seven. It's dark and she's scared and she doesn't know where her parents are. The door opens and she stumbles out.
The old man leers down at her, and the woman too, and other faces she knows from the Underground. She throws fireballs at them, and boulders, and jets of water, but the crowd just laughs and the circle around her grows smaller and smaller.
[ option d ]
When the nightmares become too much to bear, her past lives step in.
Aang offers her a memory of Tenzin's childhood -- a warm summer day on Air Temple Island. He, Katara, young Kya, Bumi, and little Tenzin are playing on the beach. He passes on a pure, easy joy.
Roku offers her a memory of a quiet moment in his garden -- no people around, only a warm cup of tea in his hands and the peaceful sounds of animals around him. He passes on a feeling of serenity.
Kyoshi offers her a memory of her lover -- a sweet-tempered woman who steadied the earth beneath her feet, who shared the burden of the decisions she had to make. She passes on the comfort of her love's embrace.
[OOC: Hit with Dream Vortex - take your pick! You can mix and mingle, have one dream transition into another if you so choose. A & B, characters can interact with Korra as she is now; in C, characters would interact with baby!Korra; and in option D, characters would interact with either Aang, Roku, or Kyoshi.]
no subject
[ His encounters with Korra have ended in bruises. No reason to assume it'll be any different with this Avatar. ]
If you were the Avatar before her, that means you died before Korra was born. [ If reincarnation works in her world the way it does in philosophy. ] So how are you in her dream? Unless you're a projection of Aang, based off what she's seen in pictures or heard stories of. [ He's inclined to be skeptical. This is just a deeper abstraction of Korra's troubled psyche. None of this is real. ]
no subject
[Aang settles down in the sand and gestures for Hei to join him. He waits for a moment, still smiling, then turns his attention to the water.]
I am Korra, and Korra is me. Just as she is Roku and Kyoshi and the hundreds of Avatars who came before. We may be different people, but the spirit is the same.
no subject
[ The older man's explanation gets a raised eyebrow. I am Korra, and Korra is me. Jesus. He feels like he's talking to the caterpillar in Alice and Wonderland. ] Hundreds? [ Dry as champagne, without the requisite fizz. ] The girl's lacking several decades of built-in wisdom, if that's the case. [ Not a disparagement. More a flat statement of that lost little girl he just left behind. ]
no subject
She has it. Only it's blocked to her. She is plagued by illusions that keep her from recognizing her true self. Freeing your mind of illusion is a process every Avatar must go through. [There's a little wistful sadness in his voice.] For her, it is harder than most.
no subject
[ To Aang: ] It'd help if she stopped obsessing over being seen as important because she's the 'Avatar,' instead of the other way around. [ Based on what's he's learnt from Jinora, from Bolin, sometimes he doubts Korra has no more grasp of the role than Hei himself does. ]
[ His attention resettles on Aang: ] How do I get out of here? [ Korra's brain is the last place someone like Hei should be. ]
no subject
As for an exit...your guess is as good as mine. [He smiles.] It's my dream, not my curse.
no subject
[ Come on, Korra. Wake up. Let me out of here. ]
no subject
Do you mind if I walk with you awhile? Until you find your way out.
no subject
[ There's no telling when the scenery might change. When the atmosphere might transition from placid to threatening. ]
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[ It doesn't make him think of South America. This place is too unique in itself. Almost serene -- except Hei's faint scowl is anything but. ]
[ It's a long walk before he stops. He hears and smells water before he sees it. From the underbrush, he emerges into a green bowl of moss scooped out of a hillside, into which a tiny waterfall -- like a prop in a movie-set -- flows into a shallow crystalline pool. The water seems clear enough; Hei stoops to splash his face, letting the cool water clear his head. ]
[ After a beat: ] If I were you, I'd spend more time with the wife and kids than a cranky stranger. [ It's more a warning than a dismissal. ]
no subject
[Aang bends a little water from the pool to drink. Casually, conversationally:]
Do you have any family?
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no subject
That's too bad. You're good with children.
no subject
Anyone can be good with a child, as long as they're not paying their bills. [ He tips his head up, staring through the leaves at the distant specks of blue sky. This place -- whatever it is -- isn't the Americas. Even Brazil couldn't have this kind of extravagant brightness. This clear blue to the sky that can only be the result of a lack of pollutants in the air. (He wonders, idly, what the stars are like out here). ]
no subject
Almost as though in response to Hei's thoughts, the sky grows dark, and stars begin to peek through the trees.]
no subject
[ He tries to catch familiar constellations. Some navigational trick to pinpoint his location. There's none. This is the idealistic beachy setting he's never enjoyed, not with anyone. Not since Heaven's Gate appeared, that happy childhood evening he'd shared with Pai. That had ended all his moments of whimsy. Where other people daydreamed of moonlit strolls on the seashore with a companion, nowadays Hei conjures pleasant moments of solitude and unexistence. ]
[ Not death, but some kind of oblivion beyond effort and struggle. ]
[ Quietly, gaze on the sky, he says: ] If my dreams were like this, I'd wake up in a much better mood. [ Except these aren't his dreams. Spectacular as the scenery is, he's ready to find a way out. ]
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[ Taking a deep breath, Hei moves on instinct. One step, two, then he's running to the ocean, and right in, leaping at the cold slap of the water, loving the first shock of it. He plunges through the oncoming waves out beyond the line of surf, and out of the dream, into reassuringly dismal reality. ]