[The Man With No Name] (
withloadedguns) wrote in
poly_chromatic2012-03-11 02:51 pm
Entry tags:
-42-
[Video Post]
[The image comes rising up out of the settling clouds of electric and electronic dust that seem to forever swirl around in the Network. Still, there isn't much to see--well, there's enough:
It's afternoon in the barn and the sunlight is streaming in as always, falling in golden beams that look more accustomed to adorning the insides of cathedrals more than the insides of barns. There are dust motes dancing in most of them and a few small birds go slipping through from shadow to shadow. There's darkness and hay and the raw wooden walls, and the sound of a horse breathing. The image shakes--or, rather, the device is shaken. Seems like it's been hung on a saddle again. It's quiet there--mostly. There's some soft sound in the background, rising a little...
If you know him by his shape or by his walk, it seems a certain Man is walking across the floor of the barn (stirring up more dust to dance in all that Baroque light) and towards the door--which he throws open to show the afternoon beyond the barn and all the fragile new grass and green budding things beyond. He stands in the doorway for a while, caught in silhouette unawares, looking out at the afternoon. He scratches his chin for no real reason.
And, all the while, in the background, this song is playing--quietly, almost dreamily, like someone's just fooling around with a guitar and the sound's drifting out from some open window somewhere... And yet, it persists...
After a moment or two, he turns around again and walks back to the Network device and the saddle on which it has been hung and the horse on which the saddle has been put. He comes up out of the shadow, almost taking shape out of it, and the music seems to follow, rising up again, taking on more shape itself.
And, at the last, he stands over the device itself, looking into it, realizing it's open and recording (as ever--nothing new there) and...he smiles at it, just as that music in the background reaches its crescendo...
...and he snaps it shut, throwing up those digital clouds of dust again, and sending the recording back into shadow and--]
[//video post ends]
[ooc: I'm going to inflict my Ennio Morricone obsession on you at every opportunity. Now, technically, this is a piece that's more associated with Angel Eyes than The Man, but...it's a really good piece. So I'm bending the rules. Also, for the record, at other points during the day, this song has also been playing. Especially when he's been riding around, doing stuff. Mmmm~]
[The image comes rising up out of the settling clouds of electric and electronic dust that seem to forever swirl around in the Network. Still, there isn't much to see--well, there's enough:
It's afternoon in the barn and the sunlight is streaming in as always, falling in golden beams that look more accustomed to adorning the insides of cathedrals more than the insides of barns. There are dust motes dancing in most of them and a few small birds go slipping through from shadow to shadow. There's darkness and hay and the raw wooden walls, and the sound of a horse breathing. The image shakes--or, rather, the device is shaken. Seems like it's been hung on a saddle again. It's quiet there--mostly. There's some soft sound in the background, rising a little...
If you know him by his shape or by his walk, it seems a certain Man is walking across the floor of the barn (stirring up more dust to dance in all that Baroque light) and towards the door--which he throws open to show the afternoon beyond the barn and all the fragile new grass and green budding things beyond. He stands in the doorway for a while, caught in silhouette unawares, looking out at the afternoon. He scratches his chin for no real reason.
And, all the while, in the background, this song is playing--quietly, almost dreamily, like someone's just fooling around with a guitar and the sound's drifting out from some open window somewhere... And yet, it persists...
After a moment or two, he turns around again and walks back to the Network device and the saddle on which it has been hung and the horse on which the saddle has been put. He comes up out of the shadow, almost taking shape out of it, and the music seems to follow, rising up again, taking on more shape itself.
And, at the last, he stands over the device itself, looking into it, realizing it's open and recording (as ever--nothing new there) and...he smiles at it, just as that music in the background reaches its crescendo...
...and he snaps it shut, throwing up those digital clouds of dust again, and sending the recording back into shadow and--]
[//video post ends]
[ooc: I'm going to inflict my Ennio Morricone obsession on you at every opportunity. Now, technically, this is a piece that's more associated with Angel Eyes than The Man, but...it's a really good piece. So I'm bending the rules. Also, for the record, at other points during the day, this song has also been playing. Especially when he's been riding around, doing stuff. Mmmm~]

Video;
Video;
Video;
[And, for Poncho-kun's listening
displeasure, this 'song' begins thumping. LOUDLY.]Video;
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[ While this plays for him. ]
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[Now that your music is playing...]
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[ No Name, just use your words 8( ]
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But it got louder before.
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[His too.]
Seems like it does that.
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Just like that.
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Yeah. Just like that.
[...not...sure...]
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Maybe one. Or two. But not most.
Do you know 'em?
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But I don't think it will.
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All right.
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That's quite the score the City's provided you with.
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I guess I don't mind.
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Certainly there have been more harmful curses, at the least! Are you familiar with your selection?
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You?
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[Which he is oddly excited about.]
That looks like quite the place you've got there; I didn't realize there was anywhere so rustic in the City.
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Mm--it's not mine. I just borrow it sometimes.
Out on the edge of town, it's not too bad.
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[Okay, now he needs to pry.]
Is that more like the reality you come from? Less in the way of overpopulation, crowding and technological advancement?
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[The parts he hangs around in, at least. The cities--which he keeps well out of--might be different but technology would still likely be far removed from the City.]
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In many ways, a far more desirable environment. Can I ask what the year was?
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1875. Last I checked.
[ooc: ...Okay, full disclosure: this date is a guess based on this picture, but it might be as late as 1876 or 1877--but that depends on which Winchester rifle Ramon is supposed to have...and that I really don't know. So this date stands for now as a best guess. Please pretend it is accurate ;;]
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[He can restrain himself and not fanboy. At least, not on the Network.]
The City must have been quite the adjustment, then. I can certainly understand having a refuge of sorts.
[ooc: Ahahaha I AM SAYING IT"S ACCURATE and it's all within his fanboy years, so... yeah, it wouldn't affect how enamored Doc is at all.]
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Mm--I don't think it really suits me. [The City he means.] Guess it's pretty good that I can borrow this place.
[ooc: You're awesome ;; One can only ever best-guess at when those films are supposed to be set--and it's always thanks to a date on a tombstone. Hmm...]
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I suppose it is!
[But of course, since he is fanboying.]
If you happen to know, are there horses there available for use, if one were to be interested in riding and have none of their own?
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There's a few.
But with so many people asking for them, maybe there ought to be a few more.