(carolena) lady of sorrows (
dignity_misery) wrote in
poly_chromatic2013-04-20 10:12 am
Entry tags:
053 x 350 // TEXT/ACTION // MY GOOD SIDE
this has been a tedious month. your dreams and desires are meaningless unless acted upon; accomplished. hope is a wasted emotion.
this entire city is a ridiculous pit of idleness, though it is better than some destinations. at least its maintained a monetary system to encourage some form of competition. communism is a boring ideology. there needs to be a struggle between squalor and opulence. preferably bloodsport; bets taken.
though lacking such indulgences, there is always sex.
there's some completion in that, and i am never bored.
[[ooc; Zinc will be at
int4glio, and you can talk to either of them, just let me know.]]
Z I N C
C A R L A
E I T H E R/O R - ANYWHERE
this entire city is a ridiculous pit of idleness, though it is better than some destinations. at least its maintained a monetary system to encourage some form of competition. communism is a boring ideology. there needs to be a struggle between squalor and opulence. preferably bloodsport; bets taken.
though lacking such indulgences, there is always sex.
there's some completion in that, and i am never bored.
[[ooc; Zinc will be at
[It's always obvious when Carla has come from a different time in her life. The sleeplessness leaves her eyes, the sorrow leaves her cheeks, the bitterness leaves her mouth. Her brown eyes hold a different intensity, something boiling furiously under the surface, an emanation of concentration and energy. But this energy is contained, sleek and streamlined unlike her usual feral explosions of unfamiliar emotion. At 23 years old, she is unemotional. Cold and hungry, but more refined than the cruel little girl that has visited before. But no less lascivious.
She's out and about the City today, doing a little graffiti . For those who have seen Carla's artwork, this is nothing like it. In fact, it's nothing original at all, only copies of other people's work. There is a marked theme of dead things: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. It's just the culture she's come from, and the life she'll lead.]
[Personally, Carla doesn't much care for the paintings. They've all come out of Barbet's sketches, and the sorrow that her ideal self is incapable of wearing is heavy on her. She takes Peanut down to the beach. He's still been hiccuping fireballs, so it's safer to stay close to the water.]
[They will both be around the City, feel free to catch them anywhere.]

Zinc!
[ Idly, cat-quiet, Hei approaches her. None of the changes are unexpected, given the City's curse du jour. Least of all the artwork. Everyone oozes with what they know and live -- in word or deed. So the lack of originality in the paintings -- the recurrent theme -- is telling, really. ]
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Her spray painting is rigid, precise. Truthfully, the lack of innovation makes the effect rather boring. She doesn't care. The purpose was vandalism, making a nuisance of herself, making a mark, than it was to share an experience. She finishes without pausing to admire her work, stepping down off her step stool. She packs away the cans of paint in a bag before she looks at him.
Her expression is obnoxious, snide.]
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[ Sipping from his can, he asks, dryly, ]
Beautifying the City?
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[ Her tone is just as sneering as her expression. ]
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[ Butter-wouldn't-melt. He has a sense of aesthetics and complimentary colors -- what chameleon wouldn't? -- but that's as far as his interest extends. ]
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[But what she's really doing right now is studying him. Chameleon to chameleon.]
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[ His impassivity isn't deliberate but default, because under the layers and veils of Li and BK201 that's what Hei is, a being stripped down to the barest slivers of emotion and expression. Watching this Carla isn't so much looking at a mirror as it is a time-portal. He was the same way at 17, in Heaven's War -- filled with a cold energy that was also a toxicity, a controlled hatred which burned like a column of blue flame. ]
[ But that was to protect Pai. And Pai is long gone. ]
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[Her grin is sharp, always hungry for something. More lucid than a junkie, but by God does she have her vices.]
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Observing the scenery.
[ It's not flirtation, despite its potential to sound like it; just a statement of fact. (Flirtation is something he reserves for work, elicitation sheathed in smiles and sweetness. But that's not necessary here. The only thing that drives him in the City is blanket curiosity.) ]
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That being said, he's retreated to the beach to get away from all the madness. Hopefully. When he sees Carla and Peanut, he gives them a wave, amused that the dog is still hurking fireballs.]
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Peanut burps up another little burst of flame before scurrying over to Theo's feet, turning circles waiting to be pet.]
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Hey. I guess the dragon thing didn't wear off.
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No, it didn't.
[She pushes herself up to her feet to head over, but she doesn't get too much closer before she's stopped, frowning again. She's been lingering in the twilights of death, unnatural in-betweens only becoming more twisted and miserable for a long time.]
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Has he learned to control it yet?
[Carefully, Theo radiates non-threateningness. In the "I may be the master of the undead, but I'm not going to try and take control of you in any way" way.]
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It's been a while since the animal overtook her so strongly, it startles her, and that doesn't help her calm down.
She's never learned to control it, no matter how hard she's tried nor how harshly she's denigrated herself.]
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Hey... hey... easy... I'm not going to hurt you.
[He realizes that he sounds like he's talking to an animal but that's how she's acting.]
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Eventually she croaks up in a tense voice,]
Back up.
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