Michael Ginsberg (
just_displaced) wrote in
poly_chromatic2014-01-01 01:36 pm
Entry tags:
Dreaming...
[It's an office. There's nothing about it that particularly stands out, except the fact that the walls of the room are completely covered in drawings and sketches and half-completed ideas, from floor to ceiling, overlapping each other in some places. The makeshift wallpaper seems almost too bright, somehow, too vibrant, the ink that's been used to doodle the thoughts onto the paper seeming to stand out from the taped and tacked up pages.
They're all advertisements. Some of them are thrown together and sloppy, some of them are meticulously crafted, some of them are incredibly inappropriate, the kind of thing that would never make it through a meeting, and some are good, the kind that could sell a product to anyone.
And in the middle of all the chaos, at the table which is covered in notebooks and glass bottles of soda and pencils and half-eaten sandwiches wrapped in paper, sits Ginsberg, hard at work on a typewriter…
… but not for long. Several seconds later, he's standing up from the table. He's picking up the typewriter with the kind of determination that suggests that he knows exactly what he's doing with it.
And in the odd logic of dreams, he's suddenly standing at a window, a window that overlooks Madison Avenue and the rest of Manhattan sprawled beyond it, and with the sound of shattering glass that's far too loud, too distinct, the typewriter is crashing through the window.
It's followed quickly by several other things, anything he can get his hands on, things that shouldn't be in an office at all, much less close at hand -- a tea kettle, a bottle of ketchup, an evening gown, anything that can go through the broken window does, falling or fluttering to the street below. All the while, Ginsberg seems to be muttering about products and brands.]
Jaguar... Heinz... some airline company, who cares about that... cigarettes, always cigarettes, but not Lucky Strikes, not after the letter... Manischewitz... Cran-Prune juice... disgusting...
[[OOC: Yes, welcome to him dreaming about work. You can feel free to be in the dream, and help him throw things out the window, or just judge him for making such a mess. Either way, it's open to all. C'mon in!]
They're all advertisements. Some of them are thrown together and sloppy, some of them are meticulously crafted, some of them are incredibly inappropriate, the kind of thing that would never make it through a meeting, and some are good, the kind that could sell a product to anyone.
And in the middle of all the chaos, at the table which is covered in notebooks and glass bottles of soda and pencils and half-eaten sandwiches wrapped in paper, sits Ginsberg, hard at work on a typewriter…
… but not for long. Several seconds later, he's standing up from the table. He's picking up the typewriter with the kind of determination that suggests that he knows exactly what he's doing with it.
And in the odd logic of dreams, he's suddenly standing at a window, a window that overlooks Madison Avenue and the rest of Manhattan sprawled beyond it, and with the sound of shattering glass that's far too loud, too distinct, the typewriter is crashing through the window.
It's followed quickly by several other things, anything he can get his hands on, things that shouldn't be in an office at all, much less close at hand -- a tea kettle, a bottle of ketchup, an evening gown, anything that can go through the broken window does, falling or fluttering to the street below. All the while, Ginsberg seems to be muttering about products and brands.]
Jaguar... Heinz... some airline company, who cares about that... cigarettes, always cigarettes, but not Lucky Strikes, not after the letter... Manischewitz... Cran-Prune juice... disgusting...
[[OOC: Yes, welcome to him dreaming about work. You can feel free to be in the dream, and help him throw things out the window, or just judge him for making such a mess. Either way, it's open to all. C'mon in!]

no subject
Careful, there. Don't throw yourself out too.
no subject
It gives him pause, for just a moment, after letting a box full of staples fall loosely from his hand to the street below.]
I've never considered it. Throwing myself out, I mean. I stay in here, everything else goes out the window.
[That's a lie. Why lie to someone in a dream? What good does it do?]
no subject
That's a good place to throw everything else: out the window. That's where you ought to throw everything else. Right out the window.
no subject
Everything?
[He looks around the room. There's a lot of furniture in it. Surely he doesn't mean all that should go out the window, too.]
Everything, or everyone? Or both? Or neither?
no subject
What do you think? Should it be everything? Or everyone? Or both?
You're already so far along with throwing things out that window... I don't think "neither" is an option anymore...
no subject
[Nor has he, apparently, caught onto the fact that obviously this stuff must be landing on the pavement somewhere, and could prove very dangerous for those hapless passersby who're passing under the building at the moment.]
They tell me not to. That I'm not supposed to. That I might hurt someone. I don't want to hurt anyone, I just want to get rid of this. All of it. All of it!
[It almost surprises him how loud his voice gets on that last all of it, but then, the dream isn't going the way it normally does. It has him a little shaken.]
no subject
But I'm here. I can help.
[Yes, it could prove very dangerous for those passersby. That's just how it is. Do you want to hit them? Therein is another question.]
You know I'm dying to ask you why you want to get rid of it, but that's your business.
Toss something else. See if it helps.
no subject
[He can't put it into words. His whole job is putting things into words, and he can't figure out how to sum this up. Maybe throwing something else will help. It's odd -- it's like he just thinks it, and suddenly there's a bag of oranges in his hand. Those go out the window, too. They're much more satisfying than the papers.]
Do you think we could lift the couch? Together?
no subject
[The sound of oranges falling from a great height. Not something one hears every day. But a sound to be heard.]
Between the two of us? Yeah, I know we can!
[And he hops off the desk to get to work.]
no subject
[And strength can vary so much in dreams. He feels like he's walking through a fog when he moves over to the ugly couch to grab it by one end. It's surprisingly light.]
I don't know if it'll fit through the window. We might have to break it more. We'll probably have to break it more.
no subject
The window or the couch?
[He laughs and he's already hauling his side towards the window]
Heave-ho, boyo!
no subject
[Getting a little odd, there, but what's the point of dreaming if it can't be odd? He does, indeed, give the couch a good heave-ho, and remarkably, they manage to send it crashing through the glass... where it promptly gets stuck halfway through the window frame.]
Yeah, we're going to have to break it. I'm not sure how we're going to do it. Windows are easy to break. Couches aren't. I don't think. I've never broken a couch before.
no subject
Okay, okay. Have you got an axe around here? Don't tell me you threw that out the window already. Axe, saw, chainsaw, whatever you've got.
[He slaps and grabs the arm of the stuck couch.]
You're gonna break this couch.
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How'd you get in here?
[It makes more sense in his head. The office is usually locked when he's in this dream, because he's usually the only one in here.]
no subject
And I don't know.
no subject
[Because this dream has happened many times before, and somehow, harm has never come to anyone, despite the large objects that go sailing through the broken glass.]
no subject
[She spins around and spots a marker. Picking it up she uncaps it and then doodles on the wall. It seems like a thing to do.]
no subject
[A pause. She's doodling on the wall. He should probably have a problem with that, but... Oh well. He shrugs.]
A million times before. Maybe not literally a million. But it feels like it.
no subject
[She's teasing him and then writes the word accurate but with one c on the wall.]
no subject
[He glances at the wall, then picks up a pen of his own, and squeezes in another c next to the one c she'd spelled 'accurate' with.]
If you're gonna mess up the walls, mess it up with correct spelling.
no subject
Fussily right.
[The marker is flung out the window. Because why not?]
no subject
[He watches the marker as it goes out the window, and then nods approvingly.]
Good. Satisfying, right?
no subject
[There's more laughter.]
It is. What else is there to throw?
[She looks around the office for something.]
no subject
[Like this tennis racket that he's now flinging out the broken window.]
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