Chekov, Pavel Andreievich (
candothat) wrote in
poly_chromatic2013-10-23 03:51 pm
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Entry tags:
action // video
ACTION;
[Chekov may have woken up with a cluster of sullen, chatty balloons that look like they belong at a misery-themed party shadowing him, but he's not about to let a nonlethal thing like that prevent him from going about his day as usual. They follow him during his morning jog (he takes care to avoid the pockets of strangeness that have been popping up, as there is only so much weirdness that he likes in his life at any given moment) and to the City Solutions Laboratory. They trail him to the labs that have been taken over by Starfleet (he doesn't linger there) and to the hospital where he visits friends who were injured in the recent attacks, glowering, as ominous and dark as any potentially hostile region of space.
Their constant looming and unimpressed--disappointed, even--glares are a minor annoyance. It's the sounds they make that chip away at Chekov's usual patience and good humor. There's some incoherent grumbling and groaning, but some phrases are perfectly, humiliatingly, horribly clear.
Ty ubil ikh.
Failure.
Too young.
Bespoleznyy.
Too slow.
Pomnyu tvoyu mat'.
Slishkom medlenno.
Their deaths were your fault.
Ty brosil svoyu sem'yu.
You'll never succeed.
You killed her.
Slishkom molod.
Useless.
Vam ne udalos'.
You abandoned your family.
Vam nikogda ne udastsya.
Remember your mother.
Vy ubili yeye.
He tries not to listen to them (and of course they're bilingual, this is the City--why wouldn't he be told off in two languages?). Those who encounter him may find ignoring the grim balloons difficult. They're loud.]
VIDEO;
[Judging by the view--the back of Chekov's head--this is not an intentional recording. He's sitting at Lucy's baby grand, tense, posture hinting at anger. The talking balloons are still hovering over him like a raincloud, chatting away. There are fewer than there were earlier, but the remaining faces seem eager to make up for this by being exceptionally strident.]
Vy ubili yeye.
Failure.
Ty brosil svoyu sem'yu.
Slishkom medlenno.
You killed her.
Their deaths were your fault.
Bespoleznyy.
Useless.
[They've been at it all day and Chekov doesn't want to hear it anymore. In an effort to drown them out, he launches into what must be the angriest and most aggressive interpretation of Rachmaninov's Prelude in C sharp minor of all time. He's not great--out of practice rather than untrained--and it only takes about a minute and a half before the balloons, which have only grown louder to combat the piano, reduce the boy to discordant keysmashing.
He gives up after a particularly enthusiastic plunk of the keys and mumbles something at the balloons. The network device doesn't pick his words up, but it's safe to assume that he didn't say anything pleasant to the specters.]
Failure.
Slishkom molod.
Ty brosil svoyu sem'yu.
You'll never succeed.
[Maybe an angry rendition of something by Balakirev will be more effective. Watchers won't get to find out; the video ends abruptly.]
[ooc: Russian brought to you by Google.]
[Chekov may have woken up with a cluster of sullen, chatty balloons that look like they belong at a misery-themed party shadowing him, but he's not about to let a nonlethal thing like that prevent him from going about his day as usual. They follow him during his morning jog (he takes care to avoid the pockets of strangeness that have been popping up, as there is only so much weirdness that he likes in his life at any given moment) and to the City Solutions Laboratory. They trail him to the labs that have been taken over by Starfleet (he doesn't linger there) and to the hospital where he visits friends who were injured in the recent attacks, glowering, as ominous and dark as any potentially hostile region of space.
Their constant looming and unimpressed--disappointed, even--glares are a minor annoyance. It's the sounds they make that chip away at Chekov's usual patience and good humor. There's some incoherent grumbling and groaning, but some phrases are perfectly, humiliatingly, horribly clear.
Ty ubil ikh.
Failure.
Too young.
Bespoleznyy.
Too slow.
Pomnyu tvoyu mat'.
Slishkom medlenno.
Their deaths were your fault.
Ty brosil svoyu sem'yu.
You'll never succeed.
You killed her.
Slishkom molod.
Useless.
Vam ne udalos'.
You abandoned your family.
Vam nikogda ne udastsya.
Remember your mother.
Vy ubili yeye.
He tries not to listen to them (and of course they're bilingual, this is the City--why wouldn't he be told off in two languages?). Those who encounter him may find ignoring the grim balloons difficult. They're loud.]
VIDEO;
[Judging by the view--the back of Chekov's head--this is not an intentional recording. He's sitting at Lucy's baby grand, tense, posture hinting at anger. The talking balloons are still hovering over him like a raincloud, chatting away. There are fewer than there were earlier, but the remaining faces seem eager to make up for this by being exceptionally strident.]
Vy ubili yeye.
Failure.
Ty brosil svoyu sem'yu.
Slishkom medlenno.
You killed her.
Their deaths were your fault.
Bespoleznyy.
Useless.
[They've been at it all day and Chekov doesn't want to hear it anymore. In an effort to drown them out, he launches into what must be the angriest and most aggressive interpretation of Rachmaninov's Prelude in C sharp minor of all time. He's not great--out of practice rather than untrained--and it only takes about a minute and a half before the balloons, which have only grown louder to combat the piano, reduce the boy to discordant keysmashing.
He gives up after a particularly enthusiastic plunk of the keys and mumbles something at the balloons. The network device doesn't pick his words up, but it's safe to assume that he didn't say anything pleasant to the specters.]
Failure.
Slishkom molod.
Ty brosil svoyu sem'yu.
You'll never succeed.
[Maybe an angry rendition of something by Balakirev will be more effective. Watchers won't get to find out; the video ends abruptly.]
[ooc: Russian brought to you by Google.]
Video
What remarkably unpleasant balloons.
Video
Scheiße!
Yes, very unpleasant.
Re: Video
[A pause, and then...]
I hope you're not taking what those balloons say to heart.
Video
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no subject
None of that is true. You know it. We spoke about this.
no subject
There is some truth to what they say. You said that some things are out of our control, but there must have been something--with Spock's mother, with everyone who died in engineering.
no subject
There is no truth. When things are out of your control, that's that. [A pause and her voice softens, less harsh, less pushing the truth past those balloons.] And if there was something, if there was anybody who could figure out something, it would have been you. You did your best. You did all you could. None of that was your fault. Other people's ultimately, but none of yours.
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starfleet comm frequency » video
Chekov.
starfleet comm frequency » video
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action...?
action!
action!
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action; outside the hospital
Chekov looks rather upset by them, though. Out of boredom more than anything else -- although she does like Chekov, just a bit -- she calls upon her power to explode them.]
action; outside the hospital
The balloons, however, crackle a bit and then start wailing. Loud, proper wailing. Angry wailing, and there are still words hidden in those wails. (It may please Pai, however, to see that their faces have gone from gloomy to pissed off.)]
Pai! [You have electric powers, too. Yay. Only not.] What--ah, thank you.
[He almost has to shout to be heard over the balloons. And yes, the only response to a little Contractor who just tried to zap your curse away is thank you, however poorly it went.]
no subject
While it is the least likely option, Pai decides it's still worth trying to see if she can destroy the baloons. Ignoring Chekov, she sends out a stronger voltage -- enough to kill a human being, but targeted enough that it shouldn't affect Chekov.]
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voice;
voice;
voice;
What conventional means have you tried?
voice;
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Action; City Solutions
"Alright. Are you going to tell me what this," she wafts a hand at the balloons, "Is all about? And by this I mean the content, not the obvious fact that this is a curse."
Action; City Solutions
"There are many things that I have not done well," he replies cryptically. No one wants sob stories.
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voice | private;
I didn't know you played.
voice | private;
[Ah ha. Ha. Not really a joke.]
voice | private;
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action;
[Mutters to himself:] Curious.
[To Chekov:] These have been following you all morning?
action;
They have, sir, yes.
[One of them is kind enough to wail a very distinct You killed her. Really, their timing is impeccable.]
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You are wonderful.
You are amazing.
You are gorgeous.
You are scary smart.
[ Yeah, she's going to attempt to offset whatever the balloons are saying with compliments.]
action
You believe all of these things, don't you?
[Pavel doesn't move, but a couple of the balloons silently deflate and vanish.]
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» action
No. ( he says, firmly, jogging up beside chekov with no other preamble. )
» action
For a second, Chekov considers running away from the conversation that he suspects is about to happen. While he might be able to outrun Sulu, however, he doubts that he would be able to hide from him for long. He slows to a brisk walk.]
No? Is this an objection to my form?
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